Kaisi Ye Dor Movie Review
Kaisi Ye Dor Movie Review
[ad_1]
3.0/5
Kaisi Ye Dor feels like an ode to the Sooraj Barjatya school of filmmaking. It’s set in a smalltown, is vocal about family values and family bond, and is teeming with people who are super sanskari. And the conflict in the film, which is designed as an old-fashioned love triangle, gets resolved without much effort. It also contains good old-fashioned music, reminiscent of the golden era of Hindi films, which utilised folk melodies.
Tripathi Ji (Brijendra Kala), is a strict cop who isn’t at all happy with his wayward son, Abhimanyu (Nikhil Pandey), who is a tourist guide in Benaras but in reality cons foreign tourists into spending more and more money into frivolous things.Abhimanyu is of the belief that the end always justifies the means and can’t seem to reconcile himself with his father’s honest ways. Though he doesn’t get along with his father, his mother, (Sunita Rajwar), always supports him. Things take a turn when he falls in love with Rashmi (Jashn Agnihotri), a rich girl who has come to explore her roots. They start off on the wrong foot but later become close. His father thinks that he would wake up to the realities of life after marriage and forces Abhimanyu into an arranged wedding with Vidya (Ratna Neelam Pandey), a traditional and well-educated girl. There’s no connection with them at all. He refuses to consummate his marriage and doesn’t even speak to her. Things thaw up when he notices how diligently she’s taking care of his parents. But in the meanwhile, he’s also reconnected with Rashmi and soon, has to take the decision to choose between the two.
The film was shot at real locations at UP and that lends authenticity to the film. It feels like it was shot guerilla style, as it has crowds gawking at the camera at some places. The camerawork also suffers from jump cuts at times, which is understandable, given the circumstances. The film is told in linear progression, but the editing isn’t that much up to the mark. As said earlier, the music, while not in sync with today’s scene, does hold your attention because of the melody and well-versed lyrics. The good thing about the story is that it doesn’t turn the other girl into a vamp. One sympathises with her as well. The commendable thing is that the in-laws are shown to be totally supporting the bahu. The plot could have been more taut, though. And the ending is too abrupt. The film has been directed well otherwise by Ratna Neelam Pandey and Sandeep Choudhary.
The three leads, Nikhil Pandey, Ratna Neelam Pandey and Jashn Agnihotri, have all acted well and have done full justice to their characters. Veterans Brijendra Kala and Sunita Rajwar have lent able support, as usual.
It’s an old-fashioned, family oriented film, reminiscent of the ’60s socials. In an era where toxic masculinity is the byword, its softer narrative might just surprise you.
Trailer : Kaisi Ye Dor
Archika Khurana, December 15, 2023, 11:30 AM IST
1.0/5
Story: The film explores the age-old practice of parents choosing traditional life partners for their children and its potential impact on the success of relationships.
Review: In the ancient city of Banaras, where tradition is interwoven into the very fabric of daily life, ‘Kaisi Ye Dor’ delves into the timeless tale of parental involvement in choosing life partners. The film poses a critical question: Can this age-old tradition truly pave the way for successful relationships? Unfortunately, the film falls short of offering anything groundbreaking.
The narrative centers around the Tripathi family, with the patriarch, Sub-Inspector Tripathi Ji (Brijendra Kala), embodying unwavering principles. His son, Abhimanyu (Nikhil Pandey), is a street-smart tour guide adept at navigating life’s complexities. Abhi grapples with the challenge of harmonising his independent lifestyle with the disciplined beliefs of his father, finding solace in his mother’s (Sunita Rajwar) support.
Abhi’s world takes a sudden turn when he falls for Rashmi (Jashn Agnihotri), a modern girl visiting Banaras as a tourist. However, tradition intervenes, compelling Abhi into an arranged marriage with Vidya (Ratna Neelam Pandey), a traditional and well-educated girl from a small town. The story unfolds as Vidya strives to forge a connection with her indifferent husband, Abhi .
Co-directed by Ratna Neelam Pandey and Sandeeip S. Choudhary, the film follows a linear plot that, while predictable and clichéd, highlights the Tripathi family’s commendable support for their daughter-in-law’s aspirations. The storyline might not break new ground, but the familial encouragement adds a heartwarming touch.
However, the film is marred by technical shortcomings. The shaky camera work and abrupt jump cuts between scenes create a somewhat uncomfortable viewing experience, diminishing the viewer’s connection with the characters. The performances, while serviceable, are deemed average and fail to elevate the emotional depth of the drama.
The soundtrack, though regrettably lackluster, isn’t the only shortcoming. With a runtime of 127 minutes, the film could have benefited from trimming unnecessary musical elements. In essence, ‘Kaisi Ye Dor’ fails to offer anything groundbreaking, making it advisable to skip this family drama for a more enriching cinematic experience.
[ad_2]
